{"id":20854,"date":"2024-02-21T10:52:35","date_gmt":"2024-02-21T10:52:35","guid":{"rendered":"https:\/\/scob.es\/media-publications\/"},"modified":"2026-03-12T09:38:57","modified_gmt":"2026-03-12T09:38:57","slug":"media-publications","status":"publish","type":"page","link":"https:\/\/scob.es\/en\/media-publications\/","title":{"rendered":"Media Publications"},"content":{"rendered":"\t\t
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Publications<\/p>\n\n\n<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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National and international media
are reporting on scob'<\/strong>s projects<\/p>\n\n\n<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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scob<\/span> estudio<\/h2>\n\t\t
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\n 2015 <\/div>\n
\n\t\t\t\t\tON dise\u00f1o No. 350. 35 arquitectes emergents <\/div>\n <\/div>\n
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\n 2015 <\/div>\n
\n\t\t\t\t\tTend\u00e8ncies, No. 494 El Mundo <\/div>\n <\/div>\n
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\n 2010 <\/div>\n
\n\t\t\t\t\tPaiseaDos, n\u00fam. 3 Espa\u00f1a Norte. Equipos emergentes <\/div>\n <\/div>\n
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Casa Pich i Pon<\/h2>\n\t\t
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\n\t\t\t\t\tDistrito Oficina Publicaci\u00f3n destacada <\/div>\n <\/div>\n
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\n\t\t\t\t\tArchDaily <\/div>\n <\/div>\n
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\n\t\t\t\t\tDise\u00f1o Interior <\/div>\n <\/div>\n
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\n\t\t\t\t\tEje Prime <\/div>\n <\/div>\n
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\n\t\t\t\t\tEl Periodico de Catalunya <\/div>\n <\/div>\n
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\n\t\t\t\t\tLa Vanguardia <\/div>\n <\/div>\n
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\n\t\t\t\t\tMetalocus <\/div>\n <\/div>\n
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\n\t\t\t\t\tNAN Dise\u00f1o <\/div>\n <\/div>\n
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Zurich Aribau195<\/h2>\n\t\t
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\n 2024 <\/div>\n
\n\t\t\t\t\tb-guided, num. 74 Publicaci\u00f3n destacada <\/div>\n <\/div>\n
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Climate islands<\/h2>\n\t\t
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\n\t\t\t\t\tArchitizer\u2019s The World\u2019s Best Architecture <\/div>\n <\/div>\n
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\n\t\t\t\t\tARQA <\/div>\n <\/div>\n
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\n\t\t\t\t\tLa Marina <\/div>\n <\/div>\n
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\n\t\t\t\t\tLANDUUM n\u00fam 23 <\/div>\n <\/div>\n
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\n\t\t\t\t\tMonocle <\/div>\n <\/div>\n
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\n\t\t\t\t\tThe New Barcelona Post <\/div>\n <\/div>\n
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Terra Dominicata<\/h2>\n\t\t
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\n 2021 <\/div>\n
\n\t\t\t\t\tArchDaily <\/div>\n <\/div>\n
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\n 2021 <\/div>\n
\n\t\t\t\t\tArchitext <\/div>\n <\/div>\n
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\n 2021 <\/div>\n
\n\t\t\t\t\tArchitizer\u2019s The World\u2019s Best Architecture <\/div>\n <\/div>\n
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\n\t\t\t\t\tDomus <\/div>\n <\/div>\n
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\n\t\t\t\t\tOn Dise\u00f1o num.405 <\/div>\n <\/div>\n
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\n\t\t\t\t\tPlataforma Arquitectura <\/div>\n <\/div>\n
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\n\t\t\t\t\tWallpaper Mag <\/div>\n <\/div>\n
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\n\t\t\t\t\tWorldLandscapeArchitect.com <\/div>\n <\/div>\n
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\n 2020 <\/div>\n
\n\t\t\t\t\tAD Architectural Digest <\/div>\n <\/div>\n
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\n\t\t\t\t\tCasas de Campo, num. 160 <\/div>\n <\/div>\n
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\n\t\t\t\t\tEl Periodico: Viajar <\/div>\n <\/div>\n
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\n 2020 <\/div>\n
\n\t\t\t\t\tLa Vanguardia <\/div>\n <\/div>\n
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\n\t\t\t\t\tOn Dise\u00f1o <\/div>\n <\/div>\n
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\n\t\t\t\t\tMetalocus <\/div>\n <\/div>\n
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\n 2020 <\/div>\n
\n\t\t\t\t\tTopos <\/div>\n <\/div>\n
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Historic center of \u00d2dena<\/h2>\n\t\t
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\n\t\t\t\t\tThe Ideal City Ed. Gestalten <\/div>\n <\/div>\n
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\n\t\t\t\t\tArchello <\/div>\n <\/div>\n
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\n 2020 <\/div>\n
\n\t\t\t\t\tArchitectural Record <\/div>\n <\/div>\n
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\n\t\t\t\t\tb-guided <\/div>\n <\/div>\n
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\n\t\t\t\t\tDise\u00f1o de la Ciudad <\/div>\n <\/div>\n
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\n\t\t\t\t\tMetalocus <\/div>\n <\/div>\n
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\n\t\t\t\t\tPlataforma Arquitectura <\/div>\n <\/div>\n
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\n 2020 <\/div>\n
\n\t\t\t\t\tScape magazine <\/div>\n <\/div>\n
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\n 2020 <\/div>\n
\n\t\t\t\t\tStein Magazine <\/div>\n <\/div>\n
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\n 2020 <\/div>\n
\n\t\t\t\t\tTopos <\/div>\n <\/div>\n
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\n \t\t\t\t\t<\/div>\n <\/div>\n <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n \t\t\t
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\n 2020 <\/div>\n
\n\t\t\t\t\tUrban Next <\/div>\n <\/div>\n
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\n 2020 <\/div>\n
\n\t\t\t\t\tWorldArchitecture.org <\/div>\n <\/div>\n
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\n \t\t\t\t\t<\/div>\n <\/div>\n <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n \t\t\t
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\n 2020 <\/div>\n
\n\t\t\t\t\tWorldLandscapeArchitect.com <\/div>\n <\/div>\n
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\n \t\t\t\t\t<\/div>\n <\/div>\n <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n \t\t<\/div>\n\t\t\t\n\t\t \t\t\t

Landskateparks<\/h2>\n\t\t
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\n 2021 <\/div>\n
\n\t\t\t\t\tWA Magazine. Ed. Tsinghua University <\/div>\n <\/div>\n
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\n 2021 <\/div>\n
\n\t\t\t\t\tWA Magazine. Ed. Tsinghua University <\/div>\n <\/div>\n
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\n \t\t\t\t\t<\/div>\n <\/div>\n <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n \t\t\t
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\n 2017 <\/div>\n
\n\t\t\t\t\tIntro Magazine <\/div>\n <\/div>\n
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\n \"\"\t\t\t\t\t<\/div>\n <\/div>\n <\/div>\n\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/div>\n \t\t\t
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\n 2016 <\/div>\n
\n\t\t\t\t\tLandskating Cat\u00e1logo. Ed. Villa Noailles <\/div>\n <\/div>\n
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\n 2015 <\/div>\n
\n\t\t\t\t\tAfasia Archzine <\/div>\n <\/div>\n
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\n 2015 <\/div>\n
\n\t\t\t\t\tAnthos n\u00fam. 4-15 <\/div>\n <\/div>\n
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\n \"\"\t\t\t\t\t<\/div>\n <\/div>\n <\/div>\n\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/div>\n \t\t\t
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\n 2015 <\/div>\n
\n\t\t\t\t\tb-guided n\u00fam. 61 <\/div>\n <\/div>\n
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\n 2015 <\/div>\n
\n\t\t\t\t\tCarhartt WIP’s Skateboarding <\/div>\n <\/div>\n
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\n 2015 <\/div>\n
\n\t\t\t\t\tDise\u00f1o de la ciudad n\u00fam. 95 <\/div>\n <\/div>\n
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\n 2015 <\/div>\n
\n\t\t\t\t\tHIC arquitectura <\/div>\n <\/div>\n
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\n 2015 <\/div>\n
\n\t\t\t\t\tLandezine <\/div>\n <\/div>\n
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\n 2015 <\/div>\n
\n\t\t\t\t\tON dise\u00f1o n\u00fam. 350. 35 arquitectes emergents <\/div>\n <\/div>\n
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\n 2015 <\/div>\n
\n\t\t\t\t\tPaisea n\u00fam. 33 <\/div>\n <\/div>\n
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\n 2015 <\/div>\n
\n\t\t\t\t\tPlans i Projectes per a Barcelona 2011-2015 <\/div>\n <\/div>\n
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\n 2015 <\/div>\n
\n\t\t\t\t\tPlataforma Arquitectura <\/div>\n <\/div>\n
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\n 2014 <\/div>\n
\n\t\t\t\t\tT18\u201d n\u00fam. 13 <\/div>\n <\/div>\n
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\n \"\"\t\t\t\t\t<\/div>\n <\/div>\n <\/div>\n\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/div>\n \t\t<\/div>\n\t\t\t\n\t\t \t\t\t

Urdanibia Square<\/h2>\n\t\t
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\n 2017 <\/div>\n
\n\t\t\t\t\tAnthos, num. 2-17 <\/div>\n <\/div>\n
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\n\t\t\t\t\tDivisare <\/div>\n <\/div>\n
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\n 2017 <\/div>\n
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\n 2017 <\/div>\n
\n\t\t\t\t\tLandscape Architecture, num. 05-17 <\/div>\n <\/div>\n
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\n 2017 <\/div>\n
\n\t\t\t\t\tMetalocus <\/div>\n <\/div>\n
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\n 2017 <\/div>\n
\n\t\t\t\t\tPlataforma Arquitectura <\/div>\n <\/div>\n
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\n 2016 <\/div>\n
\n\t\t\t\t\tDise\u00f1o de la ciudad, n\u00fam. 97 Publicaci\u00f3n destacada <\/div>\n <\/div>\n
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\n 2016 <\/div>\n
\n\t\t\t\t\tHIC arquitectura <\/div>\n <\/div>\n
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Marina Port Vell. The Club<\/h2>\n\t\t
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\n 2016 <\/div>\n
\n\t\t\t\t\tAfasia Archzine <\/div>\n <\/div>\n
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\n 2016 <\/div>\n
\n\t\t\t\t\tArchitizer: A+ Awards 2016 Ed. Phaidon <\/div>\n <\/div>\n
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\n 2016 <\/div>\n
\n\t\t\t\t\tArquine, n\u00fam. 77 <\/div>\n <\/div>\n
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\n 2016 <\/div>\n
\n\t\t\t\t\tb-guided, n\u00fam. 62 <\/div>\n <\/div>\n
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\n 2016 <\/div>\n
\n\t\t\t\t\tDesign Boom <\/div>\n <\/div>\n
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\n 2016 <\/div>\n
\n\t\t\t\t\tInternational New Landscape, No. 66 <\/div>\n <\/div>\n
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\n 2016 <\/div>\n
\n\t\t\t\t\tMetalocus <\/div>\n <\/div>\n
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\n 2016 <\/div>\n
\n\t\t\t\t\tON dise\u00f1o, n\u00fam. 356 <\/div>\n <\/div>\n
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\n 2016 <\/div>\n
\n\t\t\t\t\tPlataforma Arquitectura <\/div>\n <\/div>\n
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\n \t\t\t\t\t<\/div>\n <\/div>\n <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n \t\t\t
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\n 2016 <\/div>\n
\n\t\t\t\t\tSuper Yatch Design, n\u00fam. 27 <\/div>\n <\/div>\n
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\n \"\"\t\t\t\t\t<\/div>\n <\/div>\n <\/div>\n\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/div>\n \t\t\t
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\n 2016 <\/div>\n
\n\t\t\t\t\tWallpaper <\/div>\n <\/div>\n
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Marina Port Vell. The Gallery<\/h2>\n\t\t
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\n 2016 <\/div>\n
\n\t\t\t\t\tAfasia Archzine <\/div>\n <\/div>\n
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\n 2016 <\/div>\n
\n\t\t\t\t\tArchitizer: A+ Awards 2016 Ed. Phaidon <\/div>\n <\/div>\n
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\n \"\"\t\t\t\t\t<\/div>\n <\/div>\n <\/div>\n\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/div>\n \t\t\t
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\n 2016 <\/div>\n
\n\t\t\t\t\tArquine, n\u00fam. 77 <\/div>\n <\/div>\n
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\n \"\"\t\t\t\t\t<\/div>\n <\/div>\n <\/div>\n\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/div>\n \t\t\t
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\n 2016 <\/div>\n
\n\t\t\t\t\tb-guided, n\u00fam. 62 <\/div>\n <\/div>\n
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\n 2016 <\/div>\n
\n\t\t\t\t\tDesign Boom <\/div>\n <\/div>\n
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\n 2016 <\/div>\n
\n\t\t\t\t\tInternational New Landscape, No. 66 <\/div>\n <\/div>\n
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\n \"\"\t\t\t\t\t<\/div>\n <\/div>\n <\/div>\n\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/div>\n \t\t\t
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\n 2016 <\/div>\n
\n\t\t\t\t\tMetalocus <\/div>\n <\/div>\n
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\n \t\t\t\t\t<\/div>\n <\/div>\n <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n \t\t\t
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\n 2016 <\/div>\n
\n\t\t\t\t\tON dise\u00f1o, n\u00fam. 356 <\/div>\n <\/div>\n
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\n 2016 <\/div>\n
\n\t\t\t\t\tPlataforma Arquitectura <\/div>\n <\/div>\n
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